![]() Support Drag and drop to moving the photo. Main features: Select Collage from template. Working through that challenge is very exciting for me right now. Easy to use and funny Collage Maker, it is amazing and free, easy way to make the collages, shared the photo to social networks. But something is calling me toward this larger and possibly excessive viewing experience of images. “I feel like I could just select 10 images that feel very close to me, and that is difficult in itself. “I feel really excited about how these pictures have a relationship to one another,” she said. As we debriefed, we looked at the photos together. Afterward, we retreated to her studio and reminisced of our time spent together, our work in our respective disciplines and everything in between. It felt so easy and seamless, tagging along, soaking up the wonders of the day. ![]() Recently, I accompanied her on her morning spiritual to Kenneth Hahn, photographing her in her element. I first met Lacey some years ago, at a dinner in New York organized by an L.A.-based curator. “I’m focused on trying to create pictures that exceed my expectations, pictures that I can learn from, I want to learn from my collaborators, and so I’ve developed my own techniques to help me relinquish control and not get in my own way.” “In a way, I’m trying to instigate or even facilitate the existing dynamic of what’s already unfolding in front of me,” Lacey tells me. Browse 2,310 window planter boxes stock photos and images available, or start a new search to explore more stock photos and images. She functions as part conductor, part witness, moving performers in and out of situations and observing what unfolds. Her work spans performance and video but remains rooted in photography. “I want things to feel open and not necessarily determined.” “I believe that I have much more to gain by observing and listening to the world around me,” she tells me. She begins each day from a place of openness, curiosity, possibility. Lacey Lennon is open to unexpected energy. This story is part of Image Issue 14, “Elevation,” where we examine beauty as a state of being, a process of realization.
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